1/25 | Hortus Curiosus (Photo by James Harnos) | 2014 | Collaboration with Saya Moriyasu
2/25 | Hortus Curiosus (photo by James Harnois) | 2014 | Acrylic dye on Cotton
3/25 | Hortus Curiosus (Photo by James Harnois) | 2014 | Acrylic dye on cotton
4/25 | Hortus Curiosus (detail) Photo by James Harnois | 2014 | Acrylic Dye on Cotton
5/25 | Hortus Curiosus (Photo by James Harnois) | 2014 | Concrete, Ceramic, Cotton and Plants
6/25 | Hortus Curiosus (Photo by James Harnois) | 2014 | Collaboration with Saya Moriyasu
7/25 | Hortus Curiosus (detail) Photo by James Harnois | 2014 | Collaboration with Saya Moriyasu
8/25 | Hortus Curiosus (from the Monkey Gate) | 2014
9/25 | The New World (View #2) | 2010
10/25 | The New World (Installation View) | 2010
11/25 | The New World (View #3) | 2010
12/25 | The New World (View #5) | 2010
13/25 | Falling Stars | 2010 | watercolor, acrylic, nylon & paper
14/25 | Constellations ( Installation View #1) | 2009
15/25 | Constellations (View #2) | 2009
16/25 | Constellations (View #3) | 2009
17/25 | Constellations (View #5) | 2009
18/25 | Constellations (View #6) | 2009
19/25 | Vignette (Installation View) | 2002
20/25 | Vignette (View #3) | 2002
21/25 | Vignette (View #4) | 2002
22/25 | Untitled (Installation View) | 2000
23/25 | Fairy Tale Mural | 1997
24/25 | Fairy Tale Mural (detail) | 1997
25/25 | Fairy Tale Mural (detail) | 1997
In my installations, I orchestrate and subvert various iconographies found in our past and contemporary material cultures. Disparate images based on fairy tales, ukiyo-e prints, Baroque architecture and Victorian illustrations all find their place in my compositions and in my meticulous watercolor constructions. These are all arranged and displayed in a very purposeful disarray.